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{"id":1758,"date":"2020-01-05T21:03:42","date_gmt":"2020-01-05T21:03:42","guid":{"rendered":"http:\/\/pretendonline.co.uk\/?p=1758"},"modified":"2020-01-05T21:03:42","modified_gmt":"2020-01-05T21:03:42","slug":"catching-up-with-2019-ones-to-watch","status":"publish","type":"post","link":"http:\/\/pretendonline.co.uk\/pretend-issues\/catching-up-with-2019-ones-to-watch\/","title":{"rendered":"Catching up with 2019 One’s To Watch"},"content":{"rendered":"

PEAKES<\/b><\/h3>\n

Possibly the pick that\u2019s had the biggest year out of all the groups on the list, when we looked at PEAKES going into 2019 they\u2019d just released the brilliant single <\/span>Still Life<\/span><\/i>, with promises of an EP in the new year. That EP came in April in the form of <\/span>Absent In Person<\/span><\/i>, a three-track record. Its lead single <\/span>Hole in the Floor <\/span><\/i>introduced us to a slightly different style for the band, slightly more driven and filled in than previous releases but beds of synthesisers still perfectly supporting singer Molly Puckering\u2019s vocals. The EP as a whole is a sonic exploration of isolation and human interaction, portrayed not just in the lyrics but the atmosphere that it evokes. The group have teased new music in 2020 with posts on social media from RAK Studios in London, but have yet to reveal what and when we can expect something.\u00a0<\/span><\/p>\n